Ancient IRAN does not get hardly any coverage on mainstream media. A thousand years before Islam, the Iranians had sophisticated tools which could bore perfect semi-spheres into granite. That was in 300BC.

But that's not all - the pharaohs had batteries. And possibly so did the Sumerians.

There is a ton of overlooked evidence showing that ancient people generated huge voltages with no need of help from ‘Ancient Aliens’. These voltages powered cutting lathes and, as we shall now investigate, also provided the pharaohs with carbon C60 soot [used to make the ELIXIR OF LIFE] and lights similar to Cathode Ray and Giesler tubes.

Museums around the world, which you can see in my book STONE AGE PSYCHEDELIA, have tens of thousands of Egyptian artefacts - some of which could NOT have been made without lathes and electric power tools.

It is very obvious that high-speed lathing and drilling of granite and diorite was commonplace in Egypt long before the first pharaoh was ever born - pots and vases drilled out of solid blocks of marble and granite adorn many museum shelves.

When YouTubers with their wobbly cameras tell you the pharaohs ‘carved granite using alien technology’ you can tell them that, actually, back in the prehistory of the world, at a time when supposedly there was hardly no writing, no art, no language and no culture, back in the time of cave-men, they were generating electricity, and you know how it was done... Because you read STONE AGE PSYCHEDELIA...

STONE AGE PSYCHEDELIA is more than just a book - it is a two-hour documentary film I made at ancient temples in Egypt.

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Luigi Aloisio Galvani was an Italian physician, physicist, biologist and philosopher, who discovered ‘animal electricity’. He is recognised as the pioneer of bioelectromagnetics. Luigi Galvani's 1780 discovery of how a circuit of two metals can trigger the frog's leg to spasm sent shockwaves around the world, and a frenzy of experimentation started.

These experiments inspired the invention of the world’s first batteries which were called ‘piles’. Some piles required an electric-conducting fluid, such as brine, whilst other earlier designs were dry ‘piles’. However, we are now only realising that the ‘dry pile’ and ‘wet pile’ early batteries, developed in the 1800s, had already been invented thousands of years before. Like the invention of concrete was known by the Romans and then lost for 1,780 years, so too was the invention of the electrical battery!

Alessandro Volta demonstrated in 1794 that when two metals and brine-soaked cloth or cardboard are arranged in a circuit they produce an electric current. Volta proved that electricity could be generated chemically. He debunked the prevalent theory that electricity was generated solely by living beings - though today we do realise that the human body produces electricity.

In 1800, the first ‘wet pile’ electrical device was created when Volta stacked several pairs of alternating copper (or silver) and zinc discs (electrodes) separated by cloth or cardboard soaked in brine (electrolyte) to increase the electrolyte conductivity. When the top and bottom contacts were connected by a wire, an electric current flowed through the voltaic pile and the connecting wire.

Now, this is important; thousands
of years before Volta, the pharaohs had
already constructed large obelisks and
sheathed the points in ELECTRUM
which is made of very thin sheets of
silver, layered onto a sheets of gold, then
more silver, then more gold. Yes, the tips
of the Egyptian obelisks had massive
electrical potential - basically any two
metals in close contact exchange
electrons - and these obelisks were not
merely decorative - you can see several
documentary TV shows on the Enigma
Channel which show you many obelisks from around the world.

It is highly likely that Volta - or someone in his social circle - had observed artefacts from Egypt that had stimulated his imagination to invent a battery. Volta and Galvani’s early experimental contraptions are so similar to the ancient diagrams of ‘cobra discs’ and resemble in part the Djed Pillar that it is ludicrous to think this is just a bizarre coincidence.

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Napoleon had excavated Hathor temple at Dendera (historically called the Temple of Tentyra), around 1798. The crypts of Dendera, logically, were constructed most likely before the main temple structure. A very sturdy and unnecessarily thick adobe mud wall surrounds the entire structure. Why? Because this mud wall was installed as a FIRE BREAK no doubt to protect the environment from explosions.

My theory is based on the plain fact that the walls are carved with depictions of devices being used by the pharaohs which are spewing some kind of energy - and if my theory is correct and these are powered by ‘pile batteries’ we are dealing with voltages of at least 4,000 volts. So let us take a closer look at the carvings and the subsequent inventions which suddenly appeared in Europe and America following Napoleon’s published illustrations of Dendera.

The Dendera complex was well documented and became somewhat of a mythical place to scientifically-minded travellers long before Napoleon came on the scene. The subterranean crypts have stone carved panels featuring different apparatus and it is likely that these panels may have been transplanted to another location where they received water damage and were then replaced back into the crypts - these panels featuring the various apparatus could therefore have been known to the Roman invaders, or possibly had been studied before the Caesars moved into town.

My photographic record via a Hubsan X4 mini-drone inside the wall cavities has revealed yet more permutations of the so called ‘light bulb’ carvings, plus other contraptions which all have similarities with electrical devices that suddenly appeared following the Napoleonic excavation and the publication of David Roberts’ illustrations of Dendera appeared in popular newspapers. Why would the various contraptions and apparatus be carved elaborately inside small crypts and inside cavities between walls which are no wider than 50 centimetres? It seems logical to conclude that these carvings contain detailed diagrams of a technology which was not for the consumption of the general public - and only apprentices were invited into the cramped wall cavities and crypts in order to be trained in how the Dendera apparatus worked.

The large cigar-shaped contraption, which I have named the ‘Dendera Giesler Tube’ is carved at least 15 feet above the temple floor - why? Well, again, it is possible that only the top ranking priests in the Brotherhoods were allowed to see these diagrammatical carvings of curious contraptions up close. Both the ‘light bulbs’ and the ‘Dendera Giessler tube’ contraptions carved into the walls feature ‘cables’, whilst the ‘electric disc’ carving actually shows, as does the ‘Giessler Tube’ some kind of fluid or energy being spewed out. No matter how skeptical you are, that is a plain fact and is very obvious.

And that's just the start of STONE AGE PSYCHEDELIA - a 518 page book and 2hour film by CHRIS EVERARD. It is delivered with two DVDs.

* 518 pages, Full Colour chapter with a dozen colour plates, 100+

illustrations, full Index, plus 2hour documentary film

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“This book is much more professionally produced than your average book - it has a full color chapter and every page is illustrated - it’s not just a great read - with plenty of humorous and astonishing observations - but Chris Everard has managed to condense hundreds of thousands of years of human history into a book which you literally cannot put down and laugh at on nearly every page. Chris has an easy readable, witty style, which is so lacking in most books on ancient history”
~ Ancient Earth blog

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